THT USE OF AUTOBIOGRAPHICAL CHARACTERS IN THE WORKS OF JEAN-MARIE GYSTAVE LE CLEZIO

Authors

  • Azamjonova Sarvinoz 1st year student at Uzbekistan State World Languages University

Abstract

The objective of this article is to identify the philosophical and aesthetic foundations of the works of J.-M. G. Le Сlezio and determine the specifics of the artistic realization of the views of a prose writer in a philosophical and allegorical novel.

 

References

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Kern-Oudot C. Poetics of singing in the work of J.M.G. Le Clézio. Le Clézio Symposium, 9-11 December 2004, Toulouse. Elsewhere and origins: poetic journeys, under the direction of Bernadette Rey Mimoso-Ruiz. Paris, 2006. pp. 147-159. (In French)

Labbé M. Le Clézio, the romance gap. Paris; Montreal; Torino, 1999. 285 p. (In French)

Lehtovuori E. The Paths of Narcissus or The Problem of the Mirror by Michel Tournier. Helsinki, 1995. 289 р. (In French)

Michel J. An introduction to silence: Le Clézio, Bosco, Gracq. Paris, 1986. 184 p. (In French)

Molinié G. Approaches to reception: semiotics and sociopoetics of Le Clézio. Paris, 1993. 306 p. (In French)

Salles M. Le Clézio: our contemporary. Rennes, 2006. 338 p. (In French)

Viart D. The French novel in the XXth century. Paris, 1999. 158 p. (In French)

Cavallero Cl. The Clézio, witness of the world. Clamart, 2009. 308 p. (In French).

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Published

2024-07-31