DIFFERENCES BETWEEN EUROPEAN OPERA SCHOOLS AND UZBEK VOCAL ART
Keywords:
European opera, Uzbek vocal art,, maqom,, vocal technique,, opera schools,, national music,, comparative analysis,, music pedagogyAbstract
The study explores how historical development, cultural context, and pedagogical traditions have shaped distinct vocal approaches in both systems. European opera is characterized by formalized training, strong vocal projection, and harmonic organization, whereas Uzbek vocal art emphasizes modal systems, ornamentation, and expressive individuality rooted in national traditions such as maqom. The research highlights differences in vocal technique, performance practice, and educational models, while also addressing the growing interaction between these traditions in modern music education. The findings underline the importance of preserving cultural identity while integrating global vocal methodologies.
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