THE ART OF USING THE ARTISTIC WORD IN LITERARY STUDIES

Abstract

Mikhail Mikhailovich Bakhtin continues the above thoughts and also touches on the traditional way of thinking: The word, based on traditional stylistic thinking, knows only itself (i.e. its context), its subject, its correct expression, and its integral and unified language[1]. The literary critic says that extraneous structure, extraneous words, redundant words, and new thoughts that arise in the reader as a result of association during the reading process interfere with the text's scope. Accordingly, the use of artistic language and its innovative expression also determine the content structure of the work. After all, "However, various external language units strengthen and deepen the internal diversity of the literary language, accelerate the transmission of traditions, and also bring understanding and perception in the language to a solid state

[1] Бахтин М.М. Вопросы литературы и эстетики. М.: Художественная литература, 1975. – C.90.